He is the author of Silica, Cycles, Stoneprint and of the Stone typeface family, which includes serifed, unserifed and “informal” series. Sumner Stone (1945 – ) – Stone is an American type designer and the first director of the type department at Adobe Systems. He is the designer of Futura, Renner Antiqua, Renner Grotesk and the blackletter Ballade. Paul Renner (1878 – 1956) – Renner was a German typographer, type designer and teacher. He is best known for his dark and razor-sharp Romantic romans, italics and also for a large number of Neoclassical fonts. Giambattista Bodoni (1740 – 1813) – Bodoni was an Italian punchcutter and also a printer and a prolific designer of type, working in Rome and Parma. Bernhard is the author of many roman faces, characterized by their long extenders. Lucian Bernhard (1885-1972) – He was a German immigrant to the USA, a poet, painter, industrial designer and typographer. He created the Baskerville type, which is a transitional serif typeface. Baskerville was a member of the Royal Society of Arts and he is responsible for significant innovations in printing, paper and ink productions. John Baskerville (1706 – 1775) – was a printer in Birmingham, England. Richard Austin is the original cutter of typefaces Bell, Scotch Roman and Porson. Richard Austin (1765 – 1830) – he was an English punchcutter, burn in London, where he studied the art of wood engraving. Ludovico degli Arrighi (1480 – 1527) – he was an Italian calligrapher and designer of six or more chancery italic fonts. In 2004 Smeijers was appointed Professor of Digital Typography at the Hochschule für Grafik und Buchkunst, Leipzig.ADVERTISMENT: The Best Deals For Digital Design Assets. The name was also given to his first published typeface: FF Quadraat, launched in 1992. Quadraat sans by Fred Smeijers, who established the design group Quadraat (in Arnhem). In 1985, Adrian Frutiger adapted Janson for Linotype. The original Janson antiqua first underwent a transformation into another composition style in the 1950s under Hermann Zapf. Some font historians dispute this and credit the authorship to Nicholas Kis, a Hungarian punch-cutter. The models for this font were originally credited to Anton Janson (1620-1687), a German punch-cutter working in Holland. David Berlow found his models in Stephenson Blake grotesques from the 1800s. Further weights were designed for Entertainment Weekly and Madrid daily El Sol a family of twelve fonts by 1993. Developed in 1989 for Roger Black, The Tribune Companies, and Newsweek, the first Grotesques met with immediate success. Bureau Grotesque reintroduces the tooth and character of the nineteenth-century sans.
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